Bach Bibliography

Bach Bibliography
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List	Author	Title [further info ]	Series	Year	Pages	Status
		[]
1.	Abramowitz, Jonathan	A Performance Edition of the 'Drei Sonaten für Clavier und Viola da Gamba' of J. S. Bach. N. Y.: The Juilliard School 1973. [BWV 1027-1029]	diss.	1973
2.	Abravaya, Ido	Studies of Rhythm and Tempo in the Music of J. S. Bach. PhD diss., Musicology, Tel Aviv University, 2000. xv, 318 p	diss.	2000	xv, 318p
3.	Adams, David William	'Modern' Organ Style in Karl Straube's Reger Editions. PhD diss., Amsterdam: Vrije Universiteit, 2007. xiv, 222p.	diss.	2007	xiv, 222p
4.	Adamson, J. Philip I.	Problems for the Pianist in the Performance of J. S. Bach's Keyboard Works. Selected British Piano Works Composed between 1952 and 1971. DM dissertation, Piano Performance and Literature. Indiana University, 1973. 150p	diss.	1973	150p
5.	Adams, Robert Michael	Dmitri Shostakovich and the fugues of op. 87: a Bach bicentennial tribute. MM diss., North Texas State Univ., 1981. 2v.	diss.	1981
6.	Adler, Gerhard	Symbols of Transformation vol.5 of the Collected works of C. G. Jung. N.Y. Pantheon, 1956.	diss.	1956
7.	Ahnsehl, Peter	Die Rezeption der Vivaldischen Ritornellform in Umkreis und in der Generation J. S. Bachs. Habilitationsschrift - Martin-Luther-Universität Halle - Wittenberg, 1984. viii, 259p.	diss.	1984	viii, 259p
8.	Ahn, So-Yi	Felix Mendelssohn-Bartholdy: The first 'Romantic' composer for the organ. DMA diss., Arizona State University, 2004. 51p.	diss.	2004	51p
9.	Albrecht, Timothy Edward	Musical Rhetoric in Selected Organ Works of Johann Sebastian Bach DMA diss., Eastman School of the Univ. of Rochester 1978. v, 211p	diss.	1978	v, 211p
10.	Aldrich, Putnam	The Principal agréments of the 17th and 18th Centuries. A Study in Musical Ornamentation. PhD diss., Harvard University, 1942. 687 Bl.	diss.	1942	687 Bl
11.	Alevizos, Konstantinos	Le concept de matrice dans L'Art de la Fugue de Johann Sebastian Bach. PhD diss., Université Paris 4 Sorbonne, 2016.	diss.	2016
12.	Alexander, Daniel	The solo flute sonatas of Carl Philipp Emanuel Bach 1735-1786: A re-evaluation of the appoggiatura, and its links to performance practice and compositional style. DMA diss., University of Houston, 2009. 89p. - Ann Arbor, MI: University Microfilms International, 2009. AAT 3399329. ISBN: 978-1-109-64749-5	diss.	2009	89p
13.	Alikova, Zoja	Osobennosti fug v sonatah I.-S. Baha: Vzaimodejstvie polifonièeskih i gomofonièeskih principov formoobrazovanija. [Characteristics of the fugues in J.S. Bach's sonatas: The interaction of polyphonic and homophonic formal elements] - PhD diss., Music theory: Institut Teatra, Muzyki i Kinematografii, Leningrad, 1987. 23p.	diss.	1987	23p	Latin 2
14.	Alleln, Horst	Das Verhältnis Musik-Mathematik bei Johannes Kepler. Ein Beitrag zur Musiktheorie des frühen 17 Jahrhunderts. University of Urlangen, 1970.	diss.	1970	128p
15.	Allen-Russell, Ann van	Wind Orchestration in the Music of Johann Christian Bach, 1762-1782: Studies in Structure, Texture and Form. PhD diss., Musicology, Goldsmiths College, University of London, 2004. 608p	diss.	2004	608p
16.	Allerup, Albert	Die 'Musica practica' des Johann Andreas Herbst und ihre entwicklungsgeschichtliche Bedeutung. Ein Beitrag zur Geschichte der deutschen Schulmusik. Münster (Westf.), Phil. Diss. v. 26. Nov. 1931. - Emsdetten (Westf.): Lechte, 1931. xi, 76p, 17p(Musikbeil.) - Kassel: Bärenreiter, 1931. xi, 76p. (= Münsterische Beiträge zur Musikwissenschaft, 1)	diss.	1931	76p
17.	Allison, Brian Jerome	Carlos Seixas. The Development of the Keyboard Sonata in Eighteenth-Century Portugal. A Lecture Recital together with three Recitals of selected Works of Johann Sebastian Bach... DMA diss., University of North Texas, 1982. 24p	diss.	1982	24p
18.	Allred, Brady Russell	Mozart’s Grand mass in C minor: historical perspective, analysis, and performance. DMA diss., University of Rochester, 1990. 128 leaves.	diss.	1990	128 leaves
19.	Allt, W. Greenhouse	The organ and its music from medieval times to Johann Sebastian Bach. MusD diss., University of Edinburgh, 1930.	diss.	1930
20.	Altenburg, Detlef	Untersuchungen zur Geschichte der Trompete im Zeitalter der Clarinblaskunst (1500-1800). Dissertation. Universität Köln. 1973.	diss.	1973
21.	Alípio, Alisson	O processo de digitação para violão da Ciaccona BWV 1004 de Johann Sebastian Bach. MA diss. Universidade Federal do Rio Grande do Sul. Instituto de Artes. Programa de Pós-Graduação em Música, 2010.	diss.	2010	123p
22.	Anderson, Scott Eric	Choral singers' timbral descriptions and evaluations of recorded choral excerpts using a dark-to-bright vowel hierarchy. DMA doc., Education: U. of Missouri, 1993. 126p. UMI No. DA94-18459. [BWV 454]	diss.	1993	126p
23.	Anthony, John Philip	The Organ Works of Johann Christian Kittel. 2 vols. PhD diss., Yale University, 1978. 636p.	diss.	1978	636p
24.	Antonian, Robert Edward	Johann Sebastian Bach's Magnificat in D, BWV 243: a conductor's analysis and preparation for performance. PhD diss., Conducting: Indiana University, 1976. 275p.	diss.	1976	275p
25.	Arfken, Ernst	Das Weimarer Orgelbüchlein von Johann Sebastian Bach. Inaugural-Dissertation zur Erlangung der Doktorwürde vorgelegt bei derTheologischen Fakultät der Georg-August-Universität Göttingen / von Ernst Arfken. - Göttingen, 1965. 108p. [103 gez. Bl] [maschinenschr.]	diss.	1965	108p
26.	Aringer, Klaus	Die Tradition des Pausa-Schlusses in den Klavier- und Orgelwerken Johann Sebastian Bachs. PhD diss., Musicology, München, 1997. 197 p	diss.	1997	197p
27.	Arkad'ev, Mihail Aleksandroviè	Hronoartikulâcionnye struktury novoevropejskoj muzyki i fundamental'nye problemy ritma. [Temporal articulation in European post-Renaissance music and fundamental problems of rhythm] PhD diss., Iskusstvovedenie from Gosudarstvennyj Institut Iskusstvoznaniâ, Moskva, 2003. 360p.	diss.	2003	360p	Latin 2
28.	Armington, Clara Grace	The development of the pianoforte fugue since Bach. BMus diss., University of Illionois, 1918. 18p	diss.	1918	18p
29.	Arsenault, Valerie Prebys	A Pedagogical Edition and Performer's Guide to J. S. Bach's Cello Suites (BWV 1007--1010) transcribed for the violin. DM diss. The Florida State University, 2001, 92p. - Ann Arbor, MI: University Microfilms International, 2001. ISBN: 0-493-13495-6; 978-0-493-13495-6. Dissertation No: 3004416.	diss.	2001	92p
30.	Arshagouni, Michael Hrair	Aria Forms in Opera Seria of the Classic Period: Settings of Metastasio's Artaserse from 1760-1790.. PhD diss., Musicology, University of California at Los Angeles, 1994. xv, 422 p.	diss.	1994	xv, 422p
31.	Aschauer, Mario	Deutschsprachige Clavier-Lehrwerke in der zweiten Hälfte des 18. Jahrhunderts. PhD diss., Universität Wien, 2008. 265p.	diss.	2008	265p
32.	Asmus, Jürgen	Die langsamen Sätze der Sonaten für Violine und obligates Cembalo (BWV 1014-1019): Ein Beitrag zur Sonatenkonzeption J. S. Bachs. Leipzig: Karl-Marx-Universität 1979/80, 172p, 12p.	diss.	1979	172p, 12p
33.	Aspaas, Christopher Paul	A history of the Oregon Bach Festival. PhD, Florida State University, 2004. - Ann Arbor, MI: University Microfilms International, 2004. 318p. ISBN: 0-496-94092-9. UMI No. 3160542.	diss.	2004	318p
34.	Auclair, Francis	L'interprétation des œuvres de J.S. Bach. [The interpretation of J.S. Bach's musical works] Doctorat, Musicologie: U. de Strasbourg II [Sciences Humaines], 1997. 2 vols. 900 p.	diss.	1997	900p
35.	Augenblick, John Walter	J. S. Bach's Cantata No.5: a Conductor's Analysis. Miami, Fla., Univ. of Miami, 1978. 79p	diss.	1978	79p
36.	Austin, Jack Vosseller	Johann Sebastian Bach: an Appreciation. MA diss., California State University, Dominguez Hills, 1993. 53p	diss.	1993	53p
37.	Axmacher, Elke	'Aus Liebe will mein Heyland sterben'. Untersuchungen zum Wandel des Passionsverständnisses im frühen 18. Jahrhundert. diss., Berlin (West): Kirchliche Hochschule, 1981. 245p. - Published from Neuhausen-Stuttgart: Hänssler, 1984. 257p. (= Beiträge zur theologischen Bachforschung, 2)	diss.	1981	245p
38.	Bae, Jeong-Suk	Italian Keyboard Continuo Improvisation and its Application to the Slow Sections of Buxtehude's Trio Sonatas, Op. 1 and Op. 2. DMA diss., University of Houston, 2013. vi, 44p.	diss.	2013	vi, 44p
39.	Bae, Jin Young	Karg-Elert's 'Passacaglia and Fugue on B-A-C-H': A study of harmonic and stylistic analysis. DMA diss., University of Washington, 2004. v, 101p.	diss.	2004	v, 101p
40.	Bailey, Louis Lee	The Sacred Vocal Duets of Heinrich Schütz and Johann Sebastian Bach: an Introduction and an Annotated Listing. DMA diss., Musicology, Southern Baptist Theological Seminary, 1976. 110p	diss.	1976	110p
41.	Baird, Julianne Charlotte	Johann Friedrich Agricola's Anleitung zur Singkunst (1757): A translation and commentary. PhD, Stanford University, 1991. 528p.	diss.	1991	528p
42.	Baird, Julianne Charlotte	The vocal serenata of the seventeenth and eighteenth centuries. MA diss., Musicology: Eastman School of Music, 1976. 204p. [BWV 173a]	diss.	1976	204p
43.	Bamberg, Joachim	Die Botschaft der Kantate: eine musiko-theologische Analyse der Kantaten Johann Sebastian Bachs zum 6. Sonntag nach Trinitatis. Doctoral thesis. Eberhard Karls Universität Tübingen, 2004.	diss.	2004
44.	Barbour, J. Murray	Equal Temperament: its History from Ramis (1482) to Rameau (1737). PhD diss., Cornell University, Ithaca, NY, 1932. 353 Bl. - Abstract [4]p	diss.	1932	353 Bl
45.	Barnett, Joan	Wilhelm Friedemann Bach: An analytical study of selected solo keyboard works. MA diss, Music: Brigham Young University, 1990. 136p.	diss.	1990	136p
46.	Barros, Nicolas de Souza	A adaptação da obra alaudística de Johann Sebastian Bach para alto guitar: Um modelo híbrido. [The adaptation of the lute works of Johann Sebastian Bach for alto guitar: A hybrid model] Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1993. 2 vols.	diss.	1993
47.	Barte, Paul Thomas	The keyboard manuscripts of Johann Christoph Bach, cantor in Gehren. DMA doc., U. of Rochester, Eastman School of Music, 1995. 821p. UMI No. DA9531378.	diss.	1995	821p
48.	Barton, Pamela Sage	Gender roles in the violin music of Bach. MMus diss., California State University, Long Beach, May 2016. iii, 26p.	diss.	2016	iii, 26p
49.	Bauer, Karen Tillotson	A study of three Baroque cantatas for performance: Alla caccia dell'alme e de' cori, RV 670--Antonio Vivaldi (1678-1741); Vergnügte Ruh', beliebte Seelenlust, BWV 170--Johann Sebastian Bach (1685-1750); O numi eterni (La Lucrezia)--George Frideric Handel (1685–1759). DM diss., Northwestern University, 1998. xiv, 269p. - Ann Arbor, MI: University Microfilms International, 1998; Country of Publication. ISBN: 0-493-93158-9. Dissertation No: 3073495.	diss.	1998	xiv, 269p
50.	Bauret, Gabriel	De la lecture de la partition à l'écoute de l'interprétation, essai de description de 'l'Art de fugue' de J.-S. Bach. Paris: Université de Paris-Nanterre 1976. 159 Bl.	diss.	1976	159p
51.	Bayer, Reinhard	Die musikalische Darstellung der Person Christi in verschiedenen Stilepochen. MA diss., Composition: Hochschule für Musik und darstellende Kunst, Wien, 1982. 88p	diss.	1982	88p
52.	Beck, Kimberly Jean	The Dance movements of Christian Flor in Lüneburg Mus. Ant. Pract. 1198. MA diss., University of Iowa, 2009. iv, 111p.	diss.	2009	iv, 111p
53.	Beißwenger, Kirsten	Johann Sebastian Bachs Notenbibliothek. PhD diss. Göttingen 1990. 391p. Typescript.	diss.	1990	391p
54.	Beller-McKenna, Catherine Pearson	The Voice of Luther's Church: Instrumental Cantus Firmus Chorales in Selected Cantatas by Johann Sebastian Bach. DMA diss, University of South Carolina, 1998. v, 97p (See Diss. Abstract 59/05-A, Nov. 1998, p.1384)	diss.	1998	v, 97p
55.	Bell, Michael Stephen	The effects of rate of deviation and musical context on intonation perception in homophonic four-part chorales. PhD diss., Florida State U., 1994. 204 p.	diss.	1994	204p
56.	Benitez, Vincent P.	Musical-rhetorical figures in the 'Orgelbüchlein' of J.S. Bach. diss. 1985	diss.	1985
57.	Bennett, Evan	The treasons of image: Bach, irony, and Shostakovich's preludes and fugues, op. 87. PhD diss., Princeton University, 2004. 256p. - Ann Arbor, MI: University Microfilms International, 2004. ISBN: 0-496-70725-6. Dissertation No: 3123414.	diss.	2004	256p
58.	Berdennikova, Ekaterina Mihajlovna	Gomiletièeskie tradicii duhovnyh kantat I.S. Baha. [Homiletic traditions of J.S. Bach's sacred cantatas] Kand (Iskusstvovedenie), Nacional'na Muzycna Akademiâ Ukrajiny imeni P.I. Cajkovs'kogo, Kyjiv, 2000. 212p. - Ukraine: Muzyèna Ukrajina Kyjiv, 2008. 204p. ISBN: 978-966-8259-31-9.	diss.	2000	212p	Latin 2
59.	Berg, Darrell M.	The Keyboard Sonatas of C. P. E. Bach: An Expression of the Mannerist Principle. PhD diss., Musicology, State University of New York at Buffalo, 1975. [vi], 396 p.	diss.	1975	vi, 396p
60.	Berger, Alfred	Homogenitätsuntersuchungen an den Fugenthemen des 'Wohltemperierten Klaviers' 1. Teil; von Joh. Seb. Bach. Hamburg, Phil. Diss. v. 26. Juli 1939. (Nicht f. d. Austausch) - 37p, 12 Bl. - Auch im Buchh. u.d.T.: 'Homogenitätsuntersuchungen an Joh. Seb. Bachs Fugenthemen' (Hamburg: Hansischer Gildenverlag, 1939)	diss.	1939	37, 12p
61.	Bergner, Christoph	Untersuchungen zur Form der Präludien des Wohltemperierten Klaviers von J. S. Bach. PhD diss., Musicology, Tübingen, 1984. 165p	diss.	1984	165p
62.	Berkhan, Jonathan	Wrestling with the German Devil: Five Case Studies in Fugue After J. S. Bach. PhD diss., Victoria University of Wellington, New Zealand, 2006. 461p.	diss.	2006	461p
63.	Bertling, Rebekka	Das Arioso und das ariose Accompagnato im Vokalwerk J. S. Bachs. Dissertation Universität Kiel 1990.	diss.	1990
64.	Bertoglio, Chiara	Instructive editions of J. S. Bach's 'Wohltemperirtes Klavier': an Italian perspective. PhD diss., University of Birmingham. 2012. 466p.	diss.	2012	466p
65.	Besch, Hans	Die Frömmigkeit Johann Sebastian Bachs in der Bachbewegung und -forschung. Halle, Theol. Diss., 1934. - Gütersloh, [1937?]. vi, 166p. (Teildr.) - Im Buchh. erw. um 2 Kap. u.d.T.: 'Johann Sebastian Bach, Frömmigkeit und Glaube'. Bd 1 (als: Beiträge zur Förderg. christl. Theol. R. 2, Bd 37,1)	diss.	1934	vi, 166p
66.	Beswick, Delbert Meacham	The organ works of Dietrich Buxtehude. MMus diss., University of Rochester, 1932. iii, 105p.	diss.	1932	iii, 105p
67.	Betancourt, Rodolfo J.	The Process Of Transcription for Guitar of J. S. Bach Chaconne from Partita II for Violin Without Accompaniment, BWV 1004. MMus diss., The Lamont School of Music, University of Denver, 1999. iv, 65p.	diss.	1999	iv, 65p
68.	Beurmann, Andreas E.	Die Klaviersonaten Carl Philipp Emanuel Bachs. Göttingen, Phil. F., Diss. v. 8. Aug. 1953 (Nicht f. d. Aust.) - [1953]. 164 gez. Bl. mit eingekl. Notenbeisp. [Maschinenschr.]	diss.	1952	164p
69.	Bighley, Mark Steven	The Lutheran Chorales in the Organ Works of J. S. Bach. DMA diss., Arizona State Univ. 1985. 271p	diss.	1985	271p
70.	Bingham, Davis Blair	The Solo Cantatas for Bass Voice by J. S. Bach: Analyses for Performance. PhD diss., Music Education. Faculty of George Peabody College for Teachers, Vanderbilt University, 1983. x, 104p	diss.	1983	x, 104p
71.	Bioules, Agathe	L'évolution de langage contrapuntique de Mozart autour de l'année 1782: L'influence conjuguée de J. Haydn et J.S. Bach. [The development of Mozart's contrapuntal language around the year 1782: The joint influence of J. Haydn and J.S. Bach] Maitrise, U. de Paris IV [Paris-Sorbonne], 1993.	diss.	1993
72.	Bishop, Kirsten Elise	Playing J. S. Bach’s viola da gamba sonatas on the modern cello: editorial practices and performing protocols. MPhil thesis, The University of Queensland, 2012. 42p.	diss.	2012	42p
73.	Bittmann, Antonius	Negotiating Past and Present: Max Reger and Fin-de-siècle Modernisms. PhD diss., Musicology, Eastman School of Music, University of Rochester, 2000. 620p	diss.	2000	620p
74.	Black, David Ian	Mozart and the Practice of Sacred Music, 1781-91. DPhil diss, Harvard University, 2007. xi, 455p.	diss.	2007	xi, 455p
75.	Blake, Cevedra Marc	The Baroque Oboe d'amore. diss. - Los Angeles: University of California, 1981. 677p.	diss.	1981	677p
76.	Bland, Leland Dye	The instrumental ritornello in selected vocal works of Italian composers ca.1670 to ca. 1710. PhD diss, Music Theory: The University of Iowa, 1973. 403p	diss.	1973	403p
77.	Blankenburg, Walter	Die innere Einheit von Bachs Werk. Phil. F., Diss. v. 20.1.1943, Göttingen - Göttingen: 1942. (Nicht f. d. Austausch). 208 gez. Bl. [Maschinenschr.] - [Darmstadt]: [Blankenburg], [1986]. 208 Bl. (Nachdr.)	diss.	1942	208p
78.	Blechschmidt, Eva Renate	Die Amalien-Bibliothek. Musikbibliothek der Prinzessin Anna Amalia von Preußen (1723-1787). Historische Einordnung und Katalog mit Hinweisen auf die Schreiber der Handschriften. diss., Berlin, 1693.	diss.	1963
79.	Bloss, Laura	Natural Trumpet Music and the Modern Performer. MMus diss., The University of Akron, 2012. vii, 74p	diss.	2012	vii, 74p
80.	Bockova, Tat'jana	Nemeckaja organnaja muzyka XIX veka i tradicija romanticeskogo bahianstva. [The 19th century German organ music and traditions of J.S. Bach's romanticism] Kand., Iskusstvov: Rossijskaja Akademija Muzyki im. Gnesinyh, Moskva, 2000. 21 p.	diss.	2000	21p
81.	Boelcke, Andreas M.	Chopin's 24 Préludes, Opus 28: A Cycle Unified by Motion between the Fifth and Sixth Scale Degrees. DMA diss., University of Cincinnati, 2008. xii, 81p.	diss.	2008	xii, 81p
82.	Bogle, James George	The development of a musically logical procedure for solving the problems of transcription for guitar performance of J. S. Bach's suite in e minor (BWV 996). PhD Diss. Norman, Okla., The Univ. of Oklahoma 1982. 507p	diss.	1982	507p
83.	Boldt, Kenwyn Guy	The solo clavier Sonatas attributed to J. S. Bach. DM, piano. Indiana University 1967. 32p.	diss.	1967	32p
84.	Bolen, Jane	The Five Berlin Cembalo Concertos, P. 390, of John Christian Bach: A Critical Edition. PhD diss., Musicology, Florida State University, 1974.	diss.	1974
85.	Boomhower, Daniel F.	The Manuscript Transmission of J. S. Bach's Mass in B Minor (BWV 232) and the Development of the Concept of Textual Authority, 1750-1850. by Daniel Fellers Boomhower. - PhD diss., Case Western Reserve University, May 2017. xi, 257p.	diss.	2017	xi, 257p
86.	Bordignon, Paolo Michele	Johann Sebastian Bach's Halt im Gedächtnis Jesum Christ BWV 67: A Study of the Sources and Their Implications. DMA diss., Performance, Juilliard School, 2004. xii, 174p.	diss.	2004	xii, 174p
87.	Boresch, Hans-Werner	Studien zur Instrumentation Johann Sebastian Bachs. PhD diss., Musicology, Wuppertal, 1990.	diss.	1990
88.	Bormann, Oskar	Johann Nepomuk Schelble, 1789 - 1837: Sein Leben, sein Wirken und seine Werke. Ein Beitrag zur Musikgeschichte in Frankfurt am Main. Inaugural-Dissertation zur Erlangung der Doktorwürde der Hohen Philosophischen Fakultät der Universität Frankfurt vorgelegt von Oskar Bormann aus Höchst a. M. 1928. 145p.	diss.	1926	145p
89.	Borodavkin, Sergej	Principy orkestrovogo myslenija I.S. Baha. [Principles of orchestral thinking of J.S. Bach] MA thesis, Nacional'na Muzycna Akademija Ukrajiny im Cajkovs'kogo, Kyjiv, 1998. 20 p.	diss.	1998	20p
90.	Borris, Siegfried	Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750. Berlin, Phil. Diss. v. 14. Okt. 1933. - Ohlau i. Schl.: Eschenhagen, 1933. 110p. - [Erw. um einen Notenanh.:] Kassel: Bärenreiter, 1933. 110p, 10 Taf.	diss.	1933	110p
91.	Borthwick, Mary Christine	'In the Swim’: The life and musical achievements of William Gillies Whittaker 1876-1944. PhD diss., Durham University, 2007. x, 527p + ill.	diss.	2007	x, 527p
92.	Borysenko, Elena	The Cantatas of Wilhelm Friedemann Bach. PhD diss., Musicology, Eastman School of Music, University of Rochester, 1981. 2v 889p	diss.	1981	889p
93.	Boršulâk, Al'ona Miroslavìvna	Stil'ova evolûcìâ simvolìki 'pasìonnostì': Baroko ta romantizm. [Stylistic evolution of 'Passion' symbolism: Baroque and Romanticism] Kand, Iskusstvovedenie. Deržavna Akademìâ ìmenì A.V. Neždanovoï, Odesa, 2010. 267p.	diss.	2010	267p
94.	Botelho, Mauro	Rhythm, Meter, and Phrase: Temporal Structures in Johann Sebastian Bach's Concertos. PhD diss., University of Michigan, 1993. xvii, 589p. [BWV 1052, 1042, 1048]	diss.	1993	xvii, 589p
95.	Boursy, Richard	Historicism and composition: Giuseppe Baini, the Sistine Chapel choir, and stile antico music in the first half of the 19th century. PhD diss., Yale U., 1994. 412p. UMI No. DA9522719.	diss.	1994	412p
96.	Bower, C. M.	Boethius 'The Principlies of Music', an Introduction, Translation and Commentary.	diss.	1967	93-95
97.	Boyd, Megan	The St Matthew Passion: A discussion of the textual structure of the work in 1727, Bach's 1736 revision and its 1829 and 1841 revivals by Mendelssohn. MA diss., School of Music, Queen's University Belfast, 2007. ii, 147p	diss.	2007	ii, 147p
98.	Bradley, Alan Louis	A modern performing edition for clarinet and piano of five selected Baroque sonatas with a study of performance practice and descriptive commentary of the sonatas. MusD diss., Musicology: Indiana Univ., 1969. 105p. [BWV 1023]	diss.	1969	105p
99.	Brandes, Jeffrey Harold	The Organ as an Ensemble Instrument: Concerto Techniques in the Sinfonia of Cantata BWV 169 by Johann Sebastian Bach, Concerto for Organ and Chamber Orchestra, op.46, No.2, by Paul Hindemith, and Organ Concerto in G minor by Francis Poulenc. Dissertation - Ohio State University 1977. 94p.	diss.	1977	94p
100.	Brandt, T.	Johann Christoph Oley: Erschließung biographischer Dokumente aus dem Archiv der Reformierten Gemeinde in Aschersleben. Schriftliche Diplomarbeit zur B-Prüfung für Kirchenmusik, Evangelische Hochschule für Kirchenmusik, Halle 2000.	diss.	2000
101.	Brass, Christophe	La basse fondamentale dans Le clavier bien tempéré de Johann Sebastian Bach. [The fundamental bass in The well-tempered clavier of J.S. Bach] PhD diss., U. de Strasbourg II [Marc Bloch], 2001. 3 vols., xii, 867 p	diss.	2001	xii, 867 p
102.	Brausch, Paul	Die Kantate: Ein Beitrag zur Geschichte der deutschen Dichtungsgattung. Teil. 1: Geschichte der Kantate bis Gottsched. Heidelberg, Univ., Phil. Diss., 1921. v, 254, 15p. [Maschinenschr.] - Ausz. in: Jahrbuch d. Philos. Fakultaet Heidelberg 1921/22, T. 1. S. 16-18	diss.	1921	v, 254, 15p
103.	Breckoff, Werner	Zur Entstehungsgeschichte des zweiten Wohltemperierten Klaviers von Johann Sebastian Bach. Diss. Univ. Tübingen, 1965. 101p.	diss.	1965	101p
104.	Brink, Arend	Die gebruik van basstrykinstrumente in geselekteerde werke van J. S. Bach. [The use of bass string instruments in selected works of J.S. Bach] MM, University of the Orange Free State, 1992.	diss.	1992
105.	Brinkman, Alexander Russel	Johann Sebastian Bach's 'Orgelbüchlein': A Computer-Assisted Study of the Melodic Influence of the Cantus Firmus on the Contrapuntal Voices. PhD diss., Theory - Eastman School of the Univ. Rochster. 2 vols., xxiv, 831p	diss.	1978	xxiv, 831p
106.	Brischwein, O.	Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001.	diss.	1996	104p
107.	Britt, Carol Delane Currie	The chorale prelude: The development of the chorale prelude and the use of the chorales of Martin Luther's Catechism by various European composers from the Reformation to Johann Sebastian Bach. DMA diss., Univ. of Alabama, 1999. 87p. - Ann Arbor, MI: University Microfilms International, 1999; ISBN: 0-599-51576-7. Dissertation No: 9949358.	diss.	1999	87p
108.	Brockhoff, Maria-Elisabeth	Studien zur Struktur der italienischen und deutschen Triosonate im 17. Jahrhundert. Münster, Phil. u. naturwiss. F., Diss., 1944 (Nicht f. d. Austausch). - (Münster, 1944). 147 gez. Bl. [Maschinenschr.]	diss.	1947	147p
109.	Brockhoff, Victoia	Das Fugenthema im Wohltemperierten Klavier. Münster, Phil. u. naturwiss. F., Diss. v. 18. Aug. 1947 (Nicht f. d. Austausch). - ([Münster], [1947]). 78 gez. Bl. mit eingekl. graph. Darst. u. Notenbeisp. [Maschinenschr.]	diss.	1947	78p
110.	Brofsky, Howard	The instrumental music of Padre Martini. PhD diss., New York, 1963. iii, 356p.	diss.	1963	iii, 356p
111.	Brokaw, James A., II.	Techniques of Expansion in the Preludes and Fugues of J. S. Bach. PhD diss., Historical musicology: University of Chicago, 1986. xii, 329p.	diss.	1986	xii, 329p
112.	Brown, Charles S.	The art of chorale-preluding and chorale accompaniment as presented in Kittel's Der angehende praktische Organist. PhD, Performance and pedagogy from University of Rochester, Eastman School of Music, 1970. 350; 230p.	diss.	1970	350, 230p
113.	Brown, Louise Fallon	The special attributes of Mozart's scoring in the string quintets. DMA doc., Music: U. of Cincinnati, Col.-Conservatory of Music, 1997. 51 p.	diss.	1997	51p
114.	Broyles, Michael Everett	Textural Interpretations in the chorale Harmonizations of J. S. Bach. PhD diss., Musicology. University of Texas 1967. 471p. [type written] - Univ. Microfilms No.68-42600. / DissAbstracts xxviii/10, 4198A.	diss.	1967	471p
115.	Bruckner-Bigenwald, Martha	Die Anfänge der Leipziger Allgemeinen Musikalischen Zeitung. Freiburg i.B., phil. Diss. v. 14. Juli 1938. - Sibiu-Hermannstadt: (Schmidt), 1938. 102p. - Nachdr.: Hilversum: Frits Knuf, 1965. 102p.	diss.	1938	102p
116.	Bruderer, Conrad	A comparison of the preludes found in common in the Clavierbüchlein für Wilhelm Friedemann Bach, the well-tempered Clavier, and the Forkel edition of the well-tempered Clavier. DM Diss. Piano Performance. Bloomington, Indiana University, 1969. 173p	diss.	1969	173p
117.	Bubar, Cheryl Ann	Alto solo cantatas of Johann Sebastian Bach, and their appropriate application to contralto or mezzo-soprano voice types. DMA thesis, The University of Oklahoma, 2003, viii, 133p. - Ann Arbor, MI: University Microfilms International, 2003. ISBN: 0-496-30745-7. Dissertation No: 3082934.	diss.	2003	133p
118.	Buchmann, Lutz	Friedrich Wilhelm Rust (1739-1796): Untersuchungen zu seinem Liedschaffen und seinem Beitrag zur Überlieferung der Werke Johann Sebastian Bachs. PhD diss., Martin-Luther-Universität Halle/Wittenberg, 1987 (Nicht f.d. Austausch). - 256+8 Bl.; 323 Bl.(Dokumente); 116 Bl.(Noten)	diss.	1987	256p
119.	Buelow, George J.	Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. PhD. New York University, 1961.	diss.	1961
120.	Bullivant, Roger	The fugal technique of J. S. Bach. DPhil diss., Oxford University, 1960. 3 v. (749 leaves; [213] p)	diss.	1960	1498p
121.	Bunn, J. Gregg	A performer's study of three preludes and fugues for organ representing eighteenth-century Germany, nineteenth-century Germany, and twentieth-century France: Johann Sebastian Bach, Franz Liszt, and Maurice Durufle. DMA diss., Southwestern Baptist Theological Seminary, 2004. 151p. ISBN: 0-496-13061-7.	diss.	2004	151p
122.	Burdick, Adam David	The Influence of French Baroque Dance on the Cantatas of Johann Sebastian Bach. DMA diss., University of Washington, 2007. iv, 159p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-16075-5. Dissertation No: 3275851.	diss.	2007	159p
123.	Burford, Mark Jon	'The real idealism of history': Historical consciousness, commemoration, and Johannes Brahms' 'years of study'. PhD diss., Columbia University, 2005. 340p. Ann Arbor, MI: University Microfilms International, 2005. ISBN: 0-542-13068-8. Dissertation No: 3174753	diss.	2005	340p
124.	Burkert, Georg	Gottfried Benjamin Hancke. Ein schlesischer Spät-Barockdichter. Breslau, Phil. Diss. v. 20. Dez. 1933. - Frankenstein i.Schl.: Frankenst. Ztgs- u. Dr.-Ges., 1933. vi, 63p.	diss.	1933
125.	Burk, James Mack	Band transcriptions of the organ music of Johann Sebastian Bach. A development of a methodology for transcribing, an appraisal of available transcriptions, and three model transcriptions. - Univ. of Oklahoma, Diss. 1967. 78p. in 2 vols. (Ann Arbor Univ. Microfilms 1967)	diss.	1967	78p
126.	Burns, Lori Anne	J. S. Bach's Chorale Harmonizations of Modal Cantus Firmi. PhD diss., Musicology. Harvard University, 1991. 2 vols, ix, 350 Bl. DAbs 9211661	diss.	1991	ix, 350 Bl
127.	Butir, L. M.	Instrumental'nyi koncert v tvorèestve I. S. Bacha. [Das Instrumentalkonzert im Schaffen J. S. Bachs] - Dissertation. Leningrad 1977. 212p. With music examples.	diss.	1977	27p	Latin 2
128.	Butler, Gregory G.	The Canonic Sequence in Theory and Practice: A musical-rhetorical study of its origins, and development in keyboard music to 1750. PhD. University of Toronto, 1973.	diss.	1973
129.	Butt, John Anthony	The Significance and Incidence of Articulation Marks in the Primary Sources of J. S. Bach. PhD diss., Cambridge Univ., 1987. 336, 79, 31p.	diss.	1987	336, 79, 31p
130.	Buttmann, Rudolf	Die Lautenkompositionen von Silvius Leopold Weiss und Johann Sebastian Bach. Ein Vergleich. MA diss., Music education: Musikhochschule Mozarteum, Salzburg (1983) 70p.	diss.	1983	70p
131.	Bynum, Leroy Evans, Jr.	The first Berlin lieder school: The early development of German art song. DMA doc., Music: U. of Georgia, 1992. UMI DA9316313	diss.	1992
132.	Byrt, John Clare	Form and style in the works of Sebastian and Emanuel Bach. DPhil diss., Oxford University, 1969. 2 v. (xiii, 380, lxxxiv; 201 leaves).	diss.	1969	380, 201 Bl
133.	Böhnert, Andreas	Studien zum Klavierwerk Wilhelm Friedemann Bachs. PhD diss., Musicology, Univ. of Hamburg, 1992.	diss.	1992		'year' conjecture
134.	Bötel, Friedhold	Felix Mendelssohn Bartholdys Präludien und Fugen für Orgel op. 37: Studien zur Orgelmusik Mendelssohns unter Berücksichtigung ihrer gattungsgeschichtlichen Stellung. diss., Universität Heidelberg, 1982. 232p.	diss.	1982	232p
135.	Callahan, Michael Richard	Techniques of Keyboard Improvisation in the German Baroque and their Implications for Today's Pedagogy. PhD diss., Eastman School of Music, University of Rochester, 2010. xvi, 293p.	diss.	2010	xvi, 293p
136.	Cammarota, Robert Michael	The Repertoire of Magnificats in Leipzig at the time of J. S. Bach: A Study of Manuscript Sources. PhD diss., Music: New York Univ., 1986. 2 vols. xvi, 356, 210p. [DA 8614493.]	diss.	1986	xvi, 356, 210p
137.	Campbell, Robert	Mendelssohn's Te Deum in D: Influences and the development of style. DMA diss., Music: Stanford Univ., 1985. 150p. [DA 8522259]	diss.	1985	150p
138.	Canave, Paz Corazon G.	A Re-Evaluation of the Role Played by Carl Philipp Emanuel Bach in the Development of the Clavier Sonata. PhD diss., Musicology, Washington: Catholic University of America, 1956. xv, 185p	diss.	1956	xv, 185p
139.	Cano, Gines-Didier	Johann Sebastian Bach Concerti in E major and F minor (BWV 1052 and 1056) Restructured as Bassoon Concerti. DMA document, Manhattan School of Music, 1990. OCLC#: 22959342	diss.	1990
140.	Carruthers, Glen Blaine	Bach and the Piano: Editions, Arrangements and Transcriptions from Czerny to Rachmaninov. PhD Dissertation. University of Victoria. 1986. vi, 251p.	diss.	1986	vi, 251p
141.	Carter, Adele Hall	Bach to basics: A performance study of the suites for solo cello by Johann Sebastian Bach, BWV 1007-1012. DMA diss., University of Maryland, College Park. 2006. ii, 4p. [3 chapters as recital performance on CD]	diss.	2006	ii, 4p
142.	Ceballos, Sara Gross	Keyboard portraits: Performing character in the eighteenth century. PhD diss., University of California, Los Angeles, 2008. 330p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-89981-5. Dissertation No: 3335918.	diss.	2008	330p
143.	Cenciarelli, Carlo	Bach and Film in the Later Twentieth Century: Listening to the Goldberg Variations. PhD diss., King's College London, 2011.	diss.	2011	552p
144.	Chabora, Robert Joseph	Canonic techniques of the 'Goldberg Variations', the 'Canonic Variations' and the 'Fourteen Canons' of Johann Sebastian Bach. DMA doc. diss., Performance practice: Univ. of Kentucky, 1988. iv, [iii], 202p. [DA 8822102.]	diss.	1988	iv, [iii], 202p
145.	Chambers, Mark	The 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. DMus diss. The Florida State University, 1996. 115p	diss.	1996	115p
146.	Chamblee, James Monroe	The Cantatas and Oratorios of Carl Philipp Emanuel Bach. PhD diss., Musicology, University of North Carolina, 1973. 2 vols., xiv, 560 p.	diss.	1973	xiv, 560p
147.	Chang, Eun-Un	Die Choralvorspiele zur Regerzeit: ein Beitrag zur gottesdienstlichen Orgelmusik der Spätromantik. Münster (Westfalen), Univ., Diss., 2005. 236p.	diss.	2005	236p
148.	Chapin, Keith Moore	From tone system to personal inspiration: The metaphysics of counterpoint in 18th and early 19th- century Germany. PhD, Stanford University, 2002. Ann Arbor, MI: University Microfilms International, 2002. 322p. ISBN: 0-493-87464-X. UMI No. 3067845.	diss.	2002	322p
149.	Chapman, David	Thoroughbass pedagogy in nineteenth-century Viennese composition and performance practices. PhD diss., Ruters University, 2008. xv, 448p.	diss.	2008	xv, 448p
150.	Charron, John P.	Fingering, Pedalling and Expression in the Organ Works of J. S. Bach. DMA diss., Performance, Juilliard School, 1993. 186p	diss.	1993	186p
151.	Chase, Harriet Ruth	German, Italian and Dutch Fugal Precursor of the Fugues in the Well-tempered Clavier I. 1600-1722. PhD diss., Theory, Indiana University. 1970, 293p.	diss.	1970	293p
152.	Chay, Il-Soo	A stylistic and interpretive analysis of selected keyboard works of C.P.E. Bach. EdD, Columbia University, Teachers College, 1989. 248p.	diss.	1989	248p
153.	Cheng, Ephraim Ho-Yin	A performing edition of J. C. F. Bach's 'Pygmalion' and some performance considerations based on J. F. Agricola's 'Anleitung zur Singkunst'. DMA. University of Houston, 1998. 198p. Advisor: Matthew Dirst.	diss.	1998	198p
154.	Cheng, Wei	A Conductor’s Guide to Sofia Gubaidulina’s St. John Passion. DMA diss, University of Cincinnati, College-Conservatory of Music: Conducting, Choral Emphasis, 2006. 113p.	diss.	2006	113p
155.	Chiang, Shih-yi	Brandenburg Concerto No. 6 in B-flat major by Johann Sebastian Bach: A new arrangement transcribed for two pianos. DMA, City University of New York, Graduate Center, 2007. 139p.	diss.	2007	139p
156.	Chiba, Junnosuke	Juhachi-Seiki Deutsch no Ensoron Kenkyu - J.J. Quantz, E. Bach, Leopold Mozart no Chosho no Hikaku Kento. [A study of 18th-century German performance practice: comparisons of the writings of J.J. Quantz, C.P.E. Bach, and Leopold Mozart.] MA diss., Musicology: Musashino Academy of Music, 1976. 220p.	diss.	1976	220p
157.	Chien, Martin Ying-Tsai	A Performer's Study of Selected Compositions by Johann Sebastian Bach and Ferderico Moreno Torroba. DMA diss., Southwestern Baptist Theological Seminary, 1998. 142p. Advisor: William Mac Davis.	diss.	1998	142p
158.	Chin, Sheila Shin-Yin Lau	Variation techniques in selected organ literature. DMA diss., Organ: Indiana University, 1978. 105p	diss.	1978	105p
159.	Choi, Jeeyoon	A comprehensive study of Sigfrid Karg-Elert's use of Lutheran chorale and Gregorian chant in his organ music. DMA diss., Boston University, 2007. 315p. - Ann Arbor, MI: University Microfilms International, 2007. Dissertation No: 3259813.	diss.	2007	315p
160.	Cho, Yoonju	A Study of Baroque Tempo Practices and Their Applications to the Violoncello Suite No.2 by Johann Sebastian Bach. DMA diss. University of Washington, 1998. 153p (See DissAbstracts 59/06-A, 1958.)	diss.	1998	153p
161.	Chung, Erin Hae-Rang	The 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. DMA diss. University of Washington, 1996, 117p. DA9637917	diss.	1996	117p
162.	Cimberle, Michela	La vexata quaestio della Passio Domini Nostri Jesu Christi secundum Lucam. [The controversial question surrounding the Lukaspassion.] PhD diss., Literature: Univ. Venezia, 1980-81. 304p	diss.	1981	304p
163.	Clarke, J. Williams	Interpreting Rhythm in Bach. On the Expressive Aspects of Rhythm in the 'Free Style' and Tempo Rubato. University of Washington 1971. 85 gez. Bl.	diss.	1971	85p
164.	Clark, Stephen Lewis	The Occasional Choral Works of C. P. E. Bach. PhD diss., Musicology, Princeton University, 1984. ix, 359p.	diss.	1984	ix, 359p
165.	Claus, Rolf Dietrich	Johann Peter Kellner. Studien zu Leben und Werk nebst einem thematisch-systematischen Verzeichnis seiner musikalischen Werke. Rostock, Univ., Diss., 1999. 390p.	diss.	1999	390p
166.	Claus, Rolf Dietrich	Zur Echtheitsproblematik im Werk J. S. Bachs - dargestellt an der Toccata BWV 565. Wissenschaftliche Hausarbeit zur Erlangung des akademischen Grades eines Magister Artium der Universität Hamburg. Hamburg, 1993. 125p.	diss.	1993	125p
167.	Claypool, Richard David	J. S. Bach's Sonatas for Melody Instrument and Cembalo Concertato: An Evaluation of All Related Manuscript Sources. In 2 vols. - PhD diss., Music History and Literature, Northwestern University 1975. 545p.	diss.	1975	545p
168.	Clement, Albert	'O Jesu, du edle Gabe'. Studien zum Verhältnis von Text und Musik in den Choralpartiten und den Kanonischen Veränderungen von Johann Sebastian Bach. Diss./Hab. Utrecht 1989, 282p.	diss.	1989	282p
169.	Cline, Gilbert D.	The cornetto: A guide toward performance, within historical context, indicating the use of the recorder as a companion instrument. DMA diss., University of Oregon, 1990. 295p.	diss.	1990	295p
170.	Coetzee, Vernon George	Kinship between the chorale preludes of J.S. Bach and those of Reger (Op. 67), Karg-Elert (Op. 65), Peeters (Opp. 68, 69, 70), Dupre (Op. 28). MM thesis, U. of Cape Town, 1993. x,359p	diss.	1993	x, 359p
171.	Colahan, Ellwood P.	Metric Conflict in The Brandenburg Concertos of J. S. Bach. MA diss., University of Denver, 2008. iii, 228p. [BWV 1046-1051]	diss.	2008	iii, 228p
172.	Cole, Warwick	The Performance of Small-note Vorschläge in the Keyboard and Chamber Music of J. S. Bach. PhD diss., Birmingham Conservatoire (UCE), 2001. 2 vols, 357pp.	diss.	2001	357p
173.	Collister, Phillip Andrew	The Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748	diss.	1996	80p
174.	Comploi, Franz	Musik und Rhetorik insbesondere bei Johann Sebastian Bach MA diss., Hochschule für Musik 'Mozarteum', Salzburg. 1982, 39p.	diss.	1982	39p
175.	Connolly, Aisling	The contribution of Dr Joseph Groocock to music education in Ireland (1935–1997). MA diss., Musicology from St. Patricks College, Dublin, 2005.	diss.	2005
176.	Connor, Mary John Bosco	Gregorian chant and medieval hymn tunes in the works of J. S. Bach. PhD diss., Musicology, The Catholic Univ. of America. Washington: Catholic University of America Press, [1957.] xii, 187p. - 2nd revised edition. West Hartford-Conn.: St.Joseph College 1957.	diss.	1957	xii, 187p
177.	Constantini, Franz-Peter	Die Entwicklung der Versettenkomposition vom ausgehenden Mittelbarock bis zum Rokoko. Wien: 1967.	diss.	1967
178.	Cook, Larry D.	The German troped polyphonic Magnificat. PhD diss., Musicology: University of Iowa, 1976. 2v. 685 p.	diss.	1976	685p
179.	Cooper, David Thomas	Bach cello suites transcribed and edited for trumpet and Bach cello suites 1-3, performed on trumpet. DMA diss., Univ. of Wisconsin, Madison, 2001. Advisor: John E. Aley.	diss.	2001
180.	Cooper, Jeffrey Thomas	The seven planets in Bach, Buxtehude, and a Dresden ballet of 1678. DMA diss., University of Houston, 2017. x, 235p. [BWV 4, 71, BuxWV 251]	diss.	2017	x, 235p
181.	Cooper, John Michael	Felix Mendelssohn Bartholdy and the Italian Symphony: Historical, Musical, and Extramusical Perspectives. PhD diss., Duke University, 1994. xv, 455p. - Ann Arbor: UMI, 1994.	diss.	1994	xv, 455p
182.	Cooper, Kenneth	The Clavichord, the Bachs and German Emotionalism in the Eighteenth Century. PhD diss., Musicology. Columbia University 1971. [Type script] 286p.	diss.	1971	286p
183.	Corduban, Mihaela-Lidia	Le Clavier bien tempéré de Jean-Sébastien Bach: Le rôle de la rhétorique dans les stratégies compositionnelles de Bach. [Das wohltemperirte Clavier by Johann Sebastian Bach: The role of rhetoric in Bach's compositional strategies] PhD diss., Université de Montréal, 2008. 312p. - Ann Arbor, MI: University Microfilms International. UMI Number: AAT NR57747; ISBN: 978-0-494-57747-9.	diss.	2008	312p
184.	Corneilson, Paul Edward	Opera at Mannheim, 1770-1778. PhD diss., Music: U. of North Carolina, Chapel Hill, 1992. UMI DA9309859	diss.	1992
185.	Corra, Arthur B.	A guide to the performance of Bach's B Minor Mass. DMus diss., Instrumental Conducting. Indiana University, 1968. 256p.	diss.	1968	256p
186.	Corsini, Antonella	Componenti bachiane nell'opera di Robert Schumann. [Bach influences in the works of Robert Schumann] lau, Stor. del' mus.: Universita degli Studi di Torino, 1986-87.	diss.	1987
187.	Cortens, Evan Philip	The Installation Cantatas of C. P. E. Bach. MMus diss., Boston University, 2008, 124p	diss.	2008	124p
188.	Costa, Gustavo Silveira	Seis sonatas e partias para violino solo de J. S. Bach ao violão: fundamentos para adaptação do ciclo. Doctoral Thesis, Escola de Comunicações e Artes, University of São Paulo, São Paulo, 2012. 192p + score.	diss.	2012	192p
189.	Covington, David Lee	A diagnostic and analytical model of score preparation: A clinical approach to musical morphology. PhD diss., Florida State U., 1993. 189 p.	diss.	1993	189p
190.	Cowdery, William Warren	The early vocal works of Johann Sebastian Bach. Studies in style, scoring, and chronology. PhD diss. Ithaca, N. Y.: Cornell University 1989. ii, 319p DA 8924536. [BWV 208, 63, 1046a, 21]	diss.	1989	ii, 319p
191.	Crean, Elise	The Canonic Compositions of Johann Sebastian Bach: An Examination of Their Personal and Historical Context. MA dissertation, Queen's University Belfast, September 2005. 73p	diss.	2005	73p
192.	Cressy, Thomas	19-seiki no Nihon ni okeru Bach Juyoshi: Shinbun Kiji to Mikensho Shiryo kara no Saiko. [Bach reception in the 19th-century Japan: reconsideration based on newspaper articles and hitherto unexamined sources] MA diss., The Tokyo National University of the Arts, 2017. 123p text, 70p supplements, 2p abstract.	diss.	2017	123, 70, 2p
193.	Crickmore, Leon	C.P.E. Bach: Six harpsichord concertos. [Wq. 43] MA thesis, Musicology: U. Birmingham, 1956. [Revised version of article published as 'C.P.E. Bach's harpsichord concertos', MLetters, XXXIX/3 (July 1958) 227-241]	diss.	1956
194.	Crist, Stephen A.	Aria Forms in the Vocal Works of J. S. Bach, 1714-24. PhD diss., Musicology. Waltham, Mass: Brandeis Univ., 1988. xv, 337p	diss.	1988	xv, 337p
195.	Cron, Matthew	The obbligato organ cantatas of J. S. Bach in the context of 18th-century practice. PhD diss., Brandeis University, 2004. xix, 830p. - Ann Arbor, MI: University Microfilms International. ISBN: 0-496-83086-4. Dissertation No: 3135883.	diss.	2004	xix, 830p
196.	Cruz, Jennifer	The aesthetic relevance of the Golden Section in The well-tempered clavier by J.S. Bach: The relationship between form, temporal flow, and proportional balance. DMA diss., University of Cincinnati, 2007. xi, 63p. - Ann Arbor, MI: University Microfilms International, 2007. ISBN: 978-0-549-21880-7. Dissertation No: 3280091.	diss.	2007	xi, 63p
197.	Cseszko, Ferenc Patrick	A Comparative Study of Joseph Szigeti's 1931, Arthur Grumiaux's 1960, and Sergiu Luca's 1983 Recordings of Johann Sebastian Bach's Sonata #1 in G Minor for Solo Violin. DMA diss. The University of Wisconsin - Madison, 2000. ii, 81p.	diss.	2000	ii, 81p
198.	Curtis, Robert Lee	Ludwig Bischoff: a mid-nineteenth-century music critic. PhD diss., Musicology: University of Texas, 1977. 442 p.	diss.	1977	442p
199.	Curtiss, Lola Winchell	A critical study of a manuscript collection of keyboard music dated 1688: from the Lowell Mason Library, Yale University. MA diss., Yale University, 1937. 66, xii leaves, [12] plates. (typescript)	diss.	1937	66, xii Bl
200.	Czach, Rudolf	Friedrich Wilhelm Rust. Berlin, Univ., Diss., 1927. - Essen: Kauermann, 1927. 156p.	diss.	1927	156p
201.	Dadelsen, Georg von	Alter Stil und alte Techniken in der Musik des 19. Jahrhunderts. Freie Universität Berlin, Phil. F., Diss. v. 13. Okt. 1951 (Nicht f. d. Aust.). - 138 gez. Bl. [Maschinenschr.] (unpublished)	diss.	1951	138p
202.	Daele, Erna Bertha Eugeen van	Instrumentation and structure in Anton Webern's orchestration of the Ricercar A 6 from Johann Sebastian Bach's 'Musical Offering'. MM diss., The University of Western Ontario, 1995. 156p.	diss.	1995	156p
203.	Dalen, Tormod	'Zum Spielen und zum Tantzen', a Kinaesthetic Exploration of the Bach Cello Suites through Studies in Baroque Choreography. Critical reflection and documentation, Norwegian Research Fellowship for the Arts Programme. Norwegian Academy of Music, 2013. 85p.	diss.	2013	85p
204.	Dallaire, Charles Joseph Mario	The clarinet in solo, chamber, and concerto repertoire. PhD, Concordia University, 1990. 115p.	diss.	1990	115p
205.	Darenberg, Karlheinz	Mimesis: Die Aristotelische Nachahmungslehre im Wandel der Auffassungen und Interpretationen englischer Musikaesthetiker des 18. Jahrhunderts. Mainz, Phil. F., Diss. v. 18. Sept. 1953 (Nicht f. d. Aust.) - Mülheim a.d. Ruhr, 1952. vi, 197 gez. Bl. [Maschinenschr.]	diss.	1952	vi, 197p
206.	Dauer, Robin Lee	Three works for voice and French horn with accompaniment. DMA doc., Performance practice: U. of Cincinnati, 1994. 72 p.	diss.	1994	72p
207.	Davidson, Ian Bruce	The Use of the Oboe and Oboe d'amore in Selected Solo Arias of J. S. Bach. DMA diss., The University of Texas at Austin, 1998, 365p. DissAbstracts 59/02-A. UMI AAI9824844	diss.	1998	365p
208.	Davis, Nathan J.	The Baroque violoncello and the unaccompanied cello suites of J. S. Bach, B.W.V. 1007 - 1012. PhD diss., Music: New York Univ., 1986. 232p.	diss.	1986	232p
209.	Davis, Richard C.	Self Parody among the Cantatas of Johann Sebastian Bach. PhD diss., Musicology. Boston: Univ. Graduate School 1962, xxii, 547p in 2 vols. (Ann Arbor Univ. Microfilms, 62-4542)	diss.	1962	547p
210.	Davis, Stacey	Implied Polyphony in the Unaccompanied String Works of J. S. Bach: Analysis, Perception, and Performance. PhD diss. Northwestern University, 2001, 266p. Advisor: Richard Ashley.	diss.	2001	266p
211.	Davis, William Jerryl	A study of the solo and chamber literature for the oboe d'amore from 1720-c.1760 with modern performance editions of select unpublished works. DMA diss., Performance and music literature: Eastman School of Music, 1977. 290 p.	diss.	1977	290p
212.	Day, Thomas Charles	Palestrina in history: a preliminary study of Palestrina's reputation and influence since his death. PhD Dissertation. Columbia University, 1970. 201p	diss.	1970	201p
213.	Dehmel, Jörg	Toccata und Präludien in der Orgelmusik von Merulo bis Bach. PhD diss., Univ. Hamburg, 1987, viii, 194 p.	diss.	1987	viii, 194p
214.	D'Elia, Peter	Clementi's Bach: The Well-Tempered Clavier, Gradus ad Parnassum, and the Prelude. MA thesis, Tufts University, May 2009. iv, 73p	diss.	2009	iv, 73p
215.	Delpech, Louis	'Plus d'étonnement que de plaisir': La première réception française de l'oeuvre de Johann Sebastian Bach, 1801-1840. MA diss., Université Paris IV Sorbonne UFR de Musicologie, 2011. 93, 153p.	diss.	2011	93, 153p
216.	Demers, Isabelle	Bach as Theologian; Motives, Key Structures and Accidentals in the St. John Passion. DMA diss. in Choral Conducting, Juilliard School, 2011. 240p. Advisor: Carl Schachter.	diss.	2011	240p
217.	Denton, John William	The Use of Oboes in the Church Cantatas of Johann Sebastian Bach. Indiana State University, Terre Haute: Eastman School of Music, 1977. 214p.	diss.	1977	214p
218.	Dequevauviller, Vincent	Jean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p	diss.	1996	120p
219.	Dequevauviller, Vincent	Le Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p	diss.	1996	110p
220.	Dequevauviller, Vincent	Étude de certains procédés architectoniques - en particulier numériques - dans la composition des œuvres de Jean-Sébastien Bach. thèse de doctorat, Université Paris 4 Sorbonne, 2003, 659 p.	diss.	2003	659p
221.	Derr, Ellwood Shambaugh	Cefalo e Procri (London, 1776): Dramatic Cantata for Three Voices and Orchestra by Johann Christian Bach; Critical Edition with Performance Suggestions and Commentary. DMA diss., Composition, University of Illinois, 1968. 2 vols., i, 162p	diss.	1968	i, 162p
222.	Derry, Lisa Anne	The Pre-Classical Concerto of Johann Christian Bach: First Movement Design in the Eighteen 'London' Keyboard Concertos. PhD diss., Theory, Indiana University, 1993. xii, 243p.	diss.	1993	xii, 243p
223.	De Troyer, Nicolas	'Er ist doch ein alter Prachtkerl gewesen': De Bach-receptie in Mendelssohns orgelwerken. MA diss., Musicologie from Katholieke Universiteit Leuven, 2012.	diss.	2012
224.	Deyton, Timothy Jack	A conductor's analysis of the Lutheran Mass in G Major and Cantata 179, 'Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei', by Johann Sebastian Bach. DMA diss., Southwestern Baptist Theological Seminary, 2001. xv, 199p. ISBN: 0-493-45819-0.	diss.	2001	xv, 199p
225.	Dickreiter, Michael	Der Musikbegriff bei Johannes Kepler. PhD diss. Ruprecht-Karl-U. Heidelberg, 1971.	diss.	1971
226.	Didenko, Nadezda	Formirovanie instrumental'noj faktury v organnoj muzyke Germanii XV-XVIII vekov. [The development of instrumental texture in German organ music of the 15th to 18th centuries] MA thesis, Teorija muzyki: Rostovskaja Konservatorija im. S. Rahmaninova, 1995. 24 p.	diss.	1995	24p
227.	Diederichs, Barbara	Musik als Generationsprinzip von Literatur. Eine Analyse am Beispiel von Thomas Bernhards Untergeher. PhD diss., Justus-Liebig-Universität Gießen, 1998. 414p	diss.	1998	414p
228.	Diehl, Eleonore	Das Rezitativ bei Bach. Wien, 1936.	diss.	1936
229.	Di Pasquale, Donato	Genesi dei Quattordici Canoni BWV 1087 di Johann Sebastian Bach. Dottore in Discipline delle Arti della Musica e dello Spettacolo. Università degli Studi di Bologna, 2006. 94p.	diss.	2006	94p
230.	Dirst, Matthew Charles	Bach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. PhD diss., Stanford University, 1996, vii, 176p	diss.	1996	vii, 176p
231.	Dixon, Michelle Garner	A performer's study of selected organ compositions by Johann Sebastian Bach. Diss. Forth Worth, Tex., Southwestern Baptist Theological Seminary 1982.	diss.	1982
232.	Domizlaff, Ilse	Sammeln, Ordnen, Vermitteln - die 1972 neu konzipierte Gestaltung und Arbeitsweise des Bachhauses Eisenach. Diplomarbeit. Leipzig: Karl-Marx-Universität 1977, 127p. [type-script]	diss.	1977	127p
233.	Dommange, Thomas	Les paradoxes métaphysiques de la Passion selon Saint Matthieu de J.-S. Bach. Paris, Univ., Diss., 2004. 623p.	diss.	2004	623p
234.	Donat, Friedrich-Wilhelm	Christian Heinrich Rinck und die Orgelmusik seiner Zeit. [Ein Beitrag zur Geschichte der deutschen protestantischen Kirchenmusik um 1800] Heidelberg, Phil. Diss. v. 3.Dez.1931 [17.Jan.1933]. - Bad Oeynhausen: Theine & Peitsch, 1933, xxvi, 104p. - Untertitel erst 1933?	diss.	1933	xxvi, 104p
235.	Dougherty, Michael P.	Exegesis and eisegesis: The choral composer as scriptural interpreter with special reference to settings of the Magnificat. DMA diss., University of North Carolina, Greensboro, 2008. 106p. Ann Arbor, MI: University Microfilms International, 2008. ISBN: 978-0-549-925729. Dissertation No: 3337466.	diss.	2008	106p
236.	Douglas, David James	Inquiry into J.S. Bach's method of reworking in his composition of the concerto for keyboard, flute and violin, BWV 1044, and its chronology. MA thesis, Music: U. of British Columbia, 1997. vi, 52 p.	diss.	1997	vi, 52p
237.	Dowdle, Caroline	Bach's Goldberg variations: A study of technical and stylistic transferences to the piano. MMus diss., University of Cape Town, 1990. vii, 96p.	diss.	1990	vii, 96p
238.	Downes, Edward O. D.	The Operas of Johann Christian Bach as a Reflection of the Dominant Trends in opera seria, 1750-1780. PhD diss, Music, Harvard University, 1958. 2 vols: xxx, 488 Bl; vi, 514 Bl; 139 Bl (separate bibliography)	diss.	1958	1145 Bl
239.	Dreger, Carl Otto	Die Vokalthematik Joh. Seb. Bachs. Dargestellt an den Arien der Kirchenkantaten. Berlin, Univ., Diss., 1935 (Nur in beschr. Anz. f. d. Austausch). - Leipzig: Breitkopf & Härtel, (1935). 62p. [Aus: Bach-Jb. 1934]	diss.	1935	62p
240.	Dressler, Carolyn Elizabeth	Armida abbandonata by George Frideric Handel. An edition reflecting the performance practice of the Baroque era. DMA diss.: University of Maryland, 1978. 61p.	diss.	1978	61p
241.	Dressler, Oscar Hugo	A Performer's Analysis of Selected Compositions by Johann Sebastian Bach, Frederic Chopin, and Alberto Ginastera. DMA diss., Southwestern Baptist Theological Seminary. 1995. 165p. [see DissAbstracts p. 2896]	diss.	1995	165p
242.	Dreyfus, Laurence Dana	Basso Continuo Practice in the Vocal Works of J. S. Bach: A study of the Original Performance Parts. Univ. of Columbia 1980. 341p	diss.	1980	341p
243.	Druzinin, Sergej Vâceslavovic	Sistema sredstv muzykal'noj ritoriki v orkestrovyh sûitah I.S. Baha, G.F. Gendelâ, G.F. Telemana. [The means of musical rhetoric in orchestral suites of J.S. Bach, Handel, and Telemann] Kand (Iskusstvovedenie) diss., Rossijskaâ Akademiâ Muzyki imeni Gnesinyh, Moskva, 2002. 210p.	diss.	2002	210p
244.	Dube, Michelle Claire	'Prelude of Suite V' for Cello Solo by J. S. Bach: Options for Performance. DMA doc., University of Arizona, 1993, 57p	diss.	1993	57p
245.	Duff, Robert Paul David	The baroque oratorio Passion: A conductor's guide to compositional techniques and their foundations. DMA doc., U. of Southern California, 2000. 176p. - Ann Arbor, MI: University Microfilms International, 2000. ISBN: 0-493-54906-4. Dissertation No: 3041447.	diss.	2000	176p
246.	Duke, Patricia Beryl	Foundations of early music in Melbourne: Leonard Fullard and other pioneers. PhD thesis. University of Melbourne, Faculty of Music, 2006. xii, 454p	diss.	2006	xii, 454p
247.	du Plooy, Jacobus Stephanus	The role of the cadence as determining factor of phrasing of the organ toccatas, preludes and fantasias of Johann Sebastian Bach. MM thesis, Rhodes U., 1995.	diss.	1995
248.	Dupont, Wilhelm	Geschichte der musikalischen Temperatur. Diss. Erlangen, Univ., 1935. - Unveränd. Nachdr. der 1935 ersch. Inaugural-Diss. Lauffen/Neckar: Rensch, 1986. viii, 143p. ISBN: 3-921848-14-8	diss.	1935	viii, 143p
249.	Duvall, André Charles	The Development and Application of Keyboard Fingering Principles in the Music of J. S. Bach and C. P. E. Bach: An Analysis in Comparison with Modern Approaches to Fingering, and the Utilization of the J. C. Bach-Ricci Method for Nurturing a Versatile Technique in the Early Stages of Study. DMA diss., The University of North Carolina at Greensboro, 2014. xiv, 192p. [BWV 870a, 925, 934]	diss.	2014	xiv, 192p
250.	Dykema, Dan Harold	Carl Philipp Emanuel Bach's concerto in C, W.43, no. 6: A discussion and performance edition. DMA diss., University of Oklahoma, 1991. 265p	diss.	1991	265p
251.	Dykstra, Brian James	The Interpretation of Bach's Well-Tempered Clavier, Book One: A Study in Diversity. DMA diss., University of Rochester, 1969. xiii, 487p.	diss.	1969	xiii, 487p
252.	Dykstra, Ruth Elaine	Possible Orchestral Tendencies in Registering Johann Sebastian Bach's Organ Music: An Historical Perspective. DMA diss., The University of Texas at Austin, 2004. xii, 167p. - Ann Arbor, MI: University Microfilms International (UMI). ISBN: 0-496-76120-X.	diss.	2004	xii, 167p
253.	Dürre, Ronald	Louis Spohr und die 'Kasseler Schule'. Das pädagogische Wirken des Komponisten, Geigenvirtuosen und Dirigenten in der ersten Hälfte des 19. Jahrhunderts. PhD diss. Otto-von-Gueriche-Universität Magdeburg, 2004.	diss.	2004	417p
254.	Ebicioglu, Kemal	An expert system of harmonization of chorales in the style of J. S. Bach. PhD diss., Computer science: State Univ. of New York, Buffalo, 1986. 297p. DA 9609106.	diss.	1986	297p
255.	Edelstein, Heinz	Die Musikanschauung Augustins nach seiner Schrift 'De musica'. Freiburg i.B., Phil. Diss. v. 3. Febr. 1929. - Ohlau in Schles.: Eschenhagen, 1929. 128p. - Mikrofiche-Ausg.: Freiburg: Univ.-Bibl., 1990.	diss.	1929	128p
256.	Eder, Terry Edward	A conductor's guide to the performance of cantata no 21, 'Ich hatte viel Bekümmernis', by Johann Sebastian Bach. DMA diss., Univ. of Oklahoma, 1979. 247p	diss.	1979	247p
257.	Edge, Dexter	Mozart's Viennese copyists. PhD diss, University of Southern California, 2001. 2416p.	diss.	2001	2416p
258.	Edwards, Mark Douglas	A Performer's Study of Three Organ Sonatas from the Eighteenth to the Twentieth Centuries: Bach, Mendelssohn, and Hindemith. DMA doc.: Southwestern Baptist Theological Seminary, 1993, 133p	diss.	1993	133p
259.	Eichberg, Hartwig	Johann Sebastian Bach, Einzelnstehende Suiten, Sonaten, Variationen und Capricci für Klavier: Untersuchungen zur Überlieferung und Edition. Tübingen Uni. 1973.	diss.	1973
260.	Eichberg, Hartwig	Unechtes unter J. S. Bachs Klavierwerken. Univ. Tübingen, 1976. 43p.	diss.	1976	43p
261.	Eickhoff, Henry John	The Ritornello principle in the organ works of Bach. PhD diss., Music History and Literature, Evanston and Chicago, Ill., Northwestern Univ. in 2 vols. 524p. (Ann Arbor Microfilms. LC Card No. Mic 60-4749.)	diss.	1960	524p
262.	Einarsdóttir, Sigrún Lilja	J.S. Bach in everyday life: The 'choral identity' of an amateur 'art music' Bach choir and the concept of 'choral capital'. PhD diss. in Sociology, University of Exeter, 2012. 352p	diss.	2012	352p
263.	Eisert, Christian	Die Clavier-Toccaten BWV 910-916 von Johann Sebastian Bach: quellenkritische Untersuchungen zu einem Problem des Frühwerks. PhD diss., Musicology, Freiburg im Breisgau. 1992. 298p, 194p (Anh. 1. Kritischer Bericht, Lesartenverzeichnisse) + Edition (Anh.2 - Manuskript für Wiener Urtext-Edition / Schott-Verl., Mainz)	diss.	1992	3 vols
264.	Elbon, Virginia Elizabeth	Symmetry and proportion: Generative and formative procedures of J. S. Bach's 'Brandenburg Concerto No. 3'. Master of Music Theory diss., West Virginia University, 2001. vii, 33p	diss.	2001	vii, 33p
265.	Elferen, Isabella van	Von Laura zum himmlischen Bräutigam: Der petrarkistische Diskurs in Dichtung und Musik des deutschen Barock. PhD diss., Rijksuniversiteit Utrecht, 2003. 286p.	diss.	2003	286p
266.	Eli, Markus	Die Markus-Passion von Reinhard Keiser und ihre Aufführungen unter Bach in Leipzig. [Mag.-arb. Ludwig-Max.-Universität München]. - München. 1995. 53p, 60p.	diss.	1995	60p
267.	Ellefson, Randi von	A stylistic comparison of two cantata settings based on the chorale 'Nun komm, der heiden Heiland' by G. P. Telemann and J. S. Bach. DMA doc., Performance practice: Arizona State Univ., 1987. 140p. [DA 8805471.]	diss.	1987	140p
268.	Eller, Rudolf	Die Konzertform Johann Sebastian Bachs. Leipzig, Phil. F., Diss. v. 26. März 1947 (Nicht f. d. Austausch). - (Leipzig, 1947). 82 gez. Bl. mit eingekl. graph. Darst. [Maschinenschr.] - Microfiche in SBB (2000).	diss.	1947	82p
269.	Ellis, John Robert	Treatment of the Trumpet in the Bible and its Relationship to the Sacred Solo Arias with obbligato Trumpet by Johann Sebastian Bach. DMA diss., Arizona State University, 1984. 79p	diss.	1984	79p
270.	Ellis, Mark	Linear aspects of the fugues of J. S. Bach's 'The Well-tempered Clavier'. A Quantitative Survey. PhD diss., Univ. of Nottingham, 1980. 594p.	diss.	1980	594p
271.	Ellis, Phillip	A critical study and transcription of J. C. Bach's symphonies op.6, nos.2 and 5. MMus diss., Goldsmith College, University of London, 1978.	diss.	1978
272.	Ellsworth, Therese Marie	The piano concerto in London concert life between 1801 and 1850. PhD, University of Cincinnati, 1991. 383p.	diss.	1991	383p
273.	Elste, Martin	Diskologische Analyse der Kunst der Fuge von Johann Sebastian Bach. PhD diss., Musicology, Technische Universität, Berlin. 1981. 160p	diss.	1981	160p
274.	Endo, Rena	Johannes Brahms no J. S. Bach Juyo ni tsuite. Enso, Zosho mokuroku, Henkyoku ni tsuite no Jusho Kenkyu. [Johannes Brahms' Reception of J. S. Bach: a study on performance, catalogue of his library and arrangements] Keio University, MA dissertation, 1998.	diss.	1998
275.	Engelhardt, Ruth	Untersuchungen über Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger. PhD diss., Universität Erlangen-Nürnberg, 1974. vi, 414p. [contains 'Verzeichnis der Klavier- und Orgelwerke Kirnbergers']	diss.	1974	vi, 414p
276.	Engelsdorfer, Amy Lynne	Pedagogical and Compositional Techniques in Treatises by Augustus Frederic Christoph Kollmann and Johann Bernhard Logier. PhD diss., Dept. of Music Theory, Indiana University, August 2010. 680p.	diss.	2010	680p
277.	Engler, Klaus	Georg Poelchau und seine Musikaliensammlung. Ein Beitrag zur Überlieferung Bachscher Musik im 19. Jahrhundert. Tübingen 1970. (Druck 1984)	diss.	1970
278.	Esch, Christian	Lucio Silla: Vier Opera-seria-Vertonungen aus der Zeit zwischen 1770 und 1780. PhD diss., Rheinische Friedrich-Wilhelms-U. Bonn, 1991. 2 vols. 362, 155p.	diss.	1991	362, 155p
279.	Espinosa, Damian	C.P.E. Bach's fantasias: the rhetorical argument. MMus diss., University of New Mexico, 2000. vii, 148p	diss.	2000	vii, 148p
280.	Esser, Josef	Felix Mendelssohn-Bartholdy und die Rheinlande. Bonn, Phil. F., Diss. v. 28. Febr. 1923. 106 gez. Bl. [Maschinenschr.] - also 1929, 106p. [cf. Auszug in: Jahrbuch d. Phil. Fak. Bonn. Jg. 3. 1924/25. pp. 240-243]	diss.	1923	106p
281.	Ettmüller, Michael Ernst	Disputatio Effectus Musicæ In Hominem Gratiosissimæ Facultatis Medicæ Consensu / Præside Michael Ernst Ettmullero,... Et Respondente Christian Gottlieb Jöchero, ... Die Calend. III. Januarii Anni M DCC XIV. Sistens resp. [Leipzig, Univ., Diss., 1714] Lipsiae: Bauchius, 1714. 39p.	diss.	1714	39p
282.	Evans, Margaret Ruth	An Annotated List of Sacred Cantatas: 1960 - 1976. DMA diss., Rochester, N. Y.: Eastman School of Music, 1978. 688p.	diss.	1978	688p
283.	Exner, Ellen	The Forging of a Golden Age: King Frederick the Great and Music for Berlin, 1732 to 1756. PhD diss., Harvard University, 2010. xiv, 327p. 654p.	diss.	2010	xiv, 327p
284.	Fabian, Dorottya	J. S. Bach Recordings 1945-1975: St Matthew and St John Passions, Brandenburg Concertos and Goldberg Variations - A Study of the Changing Style of Performance in the Context of the Early Music Movement. PhD diss., The University of New South Wales, 1998.	diss.	1998
285.	Fabrikant, Marina	Bach-Busoni Chaconne. A piano transcription analysis. DMA diss., The University of Nebraska, Lincoln, 2006. vi, 152p. - Ann Arbor, MI: University Microfilms International, 2006; ISBN: 978-0-542-61862-8. Dissertation No: 3212927. [BWV 1004/5]	diss.	2006	vi, 152p
286.	Falck, Martin	Wilhelm Friedemann Bach. Seine Leben und seine Werke mit thematischem Verzeichnis seiner kompositionen und zwei Bildern. Dissertation zur Erlangungt der Doktorwürde der Hohen philosophischen Fakultät der Universität Leipzig. - [Leipzig, Phil. Diss. v. 13. Nov. 1913, Ref. Riemann, Köster] - Leipzig: Radelli & Hille, 1913. iv, 170, 31p. - Erscheint gleichzeitig im Buchhandel im Verlag von C. F. Kahnt Nachfolger, Leipzig. (= Studien zur Musikgeschichte, 1)	diss.	1913	iv, 170, 31p
287.	Falck, Myron	17th-Century Contrapuntal Theory in Germany. Eastman school of the Univ. of Rochester, 1964. 1965.	diss.	1965
288.	Fall, Henry Cutler	A Critical-Bibliographical Study of the Rinck Collection. MA. diss., Yale Univ., 1958. (type script)	diss.	1958
289.	Fall, Henry Cutler	The Passion-tide cantatas of Christoph Graupner. PhD diss., Music: University of California, Santa Barbara, 1971. ix, 252 p.	diss.	1971	ix, 252p
290.	Fanselau, Rainer	Die Orgel im Werk Edward Elgars. PhD diss., Musicology: Universität Göttingen, 1973. - Göttingen: Bärenreiter, 1973. 348p. (= Göttinger musikwissenschaftliche Arbeiten, 5)	diss.	1973	348p
291.	Faulstich, Bettina	Die Musikaliensammlung der Familie von Voß: Ein Beitrag zur Berliner Musikgeschichte um 1800. PhD diss., Georg-August-U. Gottingen, 1995. 586 p.	diss.	1995	586p
292.	Fazekas, Gergely	J. S. Bach és a zenei forma két kultúrája. [J. S. Bach and two cultures of music] PhD diss., Liszt Academy of Music, Budapest, 2012. 211p.	diss.	2012	221p
293.	Feder, Georg	Bachs Werke in ihren Bearbeitungen 1750-1950: 1. Die Vokalwerke. Doctoral thesis. Christian-Albrechts Universität zu Kiel. - Kiel, Phil. F., Diss. v. 16. Dez. 1955 (Nicht f. d. Aust.) - 1955. 387 gez. Bl., mehr. Taf. [Maschinenschr.]	diss.	1955	387p
294.	Feil, Arnold	Satztechnische Fragen in den Kompositionslehren von F. E. Niedt, J. Riepel und H. Chr. Koch. Hochschulschrift: Heidelberg, Univ., Diss., 1954. 134p. - druck Heidelberg, 1955.	diss.	1954	134p
295.	Fellmann, Peter	Orchestersuiten der Bach-Zeit. PhD diss., Musicology, Bochum. 1990	diss.	1990		'year' unconfirmed
296.	Fenley, John Franklin	The Ornamentation in Seven Flute Sonatas Composed by, or Attributed to, J. S. Bach. Ed.D., Music Education, University of Illinois, 1976. 477 p.	diss.	1976	477p
297.	Field, Elizabeth Imbert	Performing Solo Bach: An Examination of the Evolution of Performance Traditions of Bach's Unaccompanied Violin Sonatas from 1802 to the Present. DMA diss., Cornell University, 1999. 194p [UMI AAI9914682]	diss.	1999	194p
298.	Finlay, Ian F.	Johann Sebastian Bachs weltliche Kantaten: eine musikwissenschaftlich-literarische Betrachtung. Melbourne, Univ., Diss., 1950. - Göttingen: Göttinger Druckerei u. Verlag Ges. [1950]. 98p. - London: Hinrichsen [by the author], 1950. 98p.	diss.	1950	98p
299.	Fischer, Wilfried	Möglichkeiten und Grenzen der Rekonstruktion verschollener Instrumentalkonzerte Johann Sebastian Bachs. Hamburg, Univ., Diss., 1966. - Neue Bach-Ausgabe. Serie VII, Band 7(Suppl.), Kritischer Bericht. 1971. 150p.	diss.	1966	150p
300.	Fishbaugh, Ronald Lloyd	Elements of Romantic Tendency in Selected Keyboard Works of J. S. Bach: A Study with References to the Visual Arts. PhD dissertation - New York University 1978. 287p.	diss.	1978	287p
301.	Fišerová, Hana	Raný vývoj klavíru a klavírní pedagogiky a komparace interpretaèních pøístupù ve vybraných skladbách J. S. Bacha a F. Chopina. Diploma thesis, Faculty of Education, Masaryk University, Brno. 2006. 63p. [BWV 1055]	diss.	2006	63p	Latin 2